Geometrical Jewelry? Me??? (2)
As I’ve already mentioned, in my previous post,
I was surprised at myself with my new
geometric collection.
I was surprised at myself with my new
geometric collection.
In this collection, I was influenced
by my other love (except for Nature),
Art
Being more specific, by
Contemporary Art.
by my other love (except for Nature),
Art
Being more specific, by
Contemporary Art.
I would like to discuss about two most influential artists,
from the beginning of the 20th century,
who focused on geometric forms:
from the beginning of the 20th century,
who focused on geometric forms:
Self Portait, 1910.
Malevich was more radical than his contemporaries,
from the Parisian Avant-guards, the Cubists and the Fauvists.
The Russian artist named his theory “Supremacism”,
claiming that painting is a flat, non-representative medium.
Useless to mention, that since its invention,
photography took the task of representation
and mimesis ( imitation), quit successfully.
Therefore, according to Malevich, painting,
has to be composed of abstract generic forms
mostly of geometric forms,
such as line, square, circle, cross,
which are painted with primary colors (red, blue, yellow).
Aero plane flying, 1915.
This absolute abstract way of painting, enables the viewer
to contemplate, to concentrate in an invert experience,
instead of looking at a mimesis of his surroundings.
At times, his theory came close to mysticism.
to contemplate, to concentrate in an invert experience,
instead of looking at a mimesis of his surroundings.
At times, his theory came close to mysticism.
Dynamic Suprematism/Supremus 1916-17.
In 1915, Malevich already painted complete abstract
paintings,
such as the Black Square.
such as the Black Square.
It contained nothing but a black square, surrounded by
a narrower white square, and a white squared frame.
Malevich
lived through the Bolshevik revolution
and could not adjust to the Communist regime.
But fortunately, because of his previous connections
with Western artists,
his ideas and writings had a profound influence
on Western Art, especially on Abstract art,
and about 50 years later –
on Minimalism, and on ConceptuallistArt.
and could not adjust to the Communist regime.
But fortunately, because of his previous connections
with Western artists,
his ideas and writings had a profound influence
on Western Art, especially on Abstract art,
and about 50 years later –
on Minimalism, and on ConceptuallistArt.
became the icon and the symbol
of abstract painting!
of abstract painting!
That is for this time.
My next post will focus on another influential artist.
I won’t tell you now….
Keep tuned…
Vita
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